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Musical theory
Reading
music
On the right, you can see the scale of C major written out in musical notation
and with the corresponding notes on a keyboard shown.
The letters A, B, C, D, E, F, G are the only ones used for musical notes, and
these repeat every 8 notes. The two C notes are an octave (8 notes) apart, and
sound the same, except that one is higher (the C on the right) than the other.
The position of the note on the lines or between them determines which note
a symbol stand for. So for instance, a note in the space between the two bottom
lines is always F; a note on the middle line is always B, and so on. Middle
C (the left-hand C in the diagram on the right) has a little line drawn through
it. The symbol to the left of the notes (called a treble clef) means
the notes are played with the right hand on a keyboard.
Whether
the notes are open or closed, whether they have stems or not, determines how
many beats they are held for. The open notes shown are called semi-breves,
and last for a count of 4 beats. On the left you can see notes of different
lengths. The open note with a stem, which is called a minim, is lasts
for a count of 2 beats. The closed note with a stem, a crotchet, lasts
for a count of 1 beat, and the closed notes with stems and joined together are
quavers, and last for a count of 1/2 a beat.
 On
the left you can see a bar in each of four-four time and three-four
time. Four-four time means there are four beats in a bar (the line signifies
the end of a bar), and such music is counted 1 2 3 4, 1 2 3 4, .... Three-four
time means there are three beats in a bar, and is counted 1 2 3, 1 2 3, ....
You have to have notes giving the correct number of beats in each bar. So in
the four-four bar, we have two crotchets (worth 1 beat each) and a minim (worth
2 beats). In the three-four bar, we have a minim (worth 2 beats) and a crotchet
(worth 1 beat). The sign on the left in front of the time signature indicates
that the notes are to be played on a keyboard with the right hand.
In
Composing
music with numbers one of the suggestions you might like to follow-up is
that of using the ratio 1:2:4:8:16 to determine the lengths of notes. The diagram
on the right shows how to show this in musical notation, where there are four
beats in a bar. The four filled in notes with stems are crotchets and are worth
one beat each. The two open notes with stems are minims and are worth two beats
each. The open note without a stem is a semibreve and is worth four beats. The
second and third lines of music demonstrate how musicians show notes longer
than four beats. The second line shows two semibreves tied together with a line
- this means you do not sound the second note, but count eight beats for the
first note. The third line shows four semibreves tied together with lines -
this means you only sound the first note, and count 16 beats in total. Any note
can be tied with another, provided they are of the same pitch (those shown here
are all A's).
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Some musical theory
If you are unfamiliar with musical scales, look at the keyboard on the right.
The scale of C major starts on the left-hand note labelled C, then moves up
one white note at a time, through D E F G A B and back to C. This C is an octave
higher than the C we started from. The C in the middle of the keyboard is known
as middle C.
The distance from a white note to the black note just above or below it is
called a semitone, and the distance between two white notes which have
a black note between them is called a tone. There are two occasions
when there is no black note between two white notes - E to F and B to C - these
intervals are both semitones also.
It will help you in the work below if you know something of musical intervals.
An interval is just the distance from one note to another. A third is
the third note in the scale, so starting from C this gives us E, and this interval
is made up of 4 semitones. A fourth is the fourth note in the scale,
so starting from C this gives us F, and this interval is made up of 5 semitones.
A fifth is the fifth note in the scale, so starting from C this gives
us G; this interval is made up of 7 semitones. The other intervals in the major
scale are the second (eg. C to D), the sixth (eg. C to A),
and the seventh (eg. C to B). Some intervals sound better than others
when the notes are played together, but which you think sound good will depend
on the type of music you like listening to.
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